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March 2003
AMENDMENT
ONE by Don Schellhardt
Welcome to the first article in my new column: AMENDMENT ONE.
My companion column, THE 21st CENTURY POPULIST, deals
with politics in general. This column focuses on the continuing battle to
preserve and expand free speech, in part by creating more pathways for the free flow of
ideas and information.
Much of the current conflict centers
less on outright censorship than on one of its precursors: huge concentrations of media control. Cheered on by Presidents Bill Clinton and
George W. Bush alike, we have reached a point at which a handful of companies, joined by
National Public Radio, control most of the communication and information sources used by
most of the American people. In such a
media environment, we hear too few truly varied voices and even fewer truly varied ideas.
Federal Communications Commissioner
Michael Copps calls todays American broadcasting ventriloquism: many apparent
voices, with almost all of them coming from a handful of hidden masters. This trend may be poised for another
round of acceleration, as the FCC considers, in spite of massive citizen opposition, ending its last
remaining limits on how much of the media a single entity can own.
In the meantime, other media industries
are also becoming more consolidated.
According to Professor Stephen Barber of
The ventriloquists latest trick,
however, is more subtle. It
involves not mergers and acquisitions, but use of broadcast technology as a club to batter
rivals.
The technology is iBiquity
Corporations version of In Band On Channel (IBOC) Digital Radio --
with iBiquity being an equipment manufacturer owned, in part, by many of the
same large broadcasters who will be buying its products. The
FCC recently approved IBOC broadcasts, on an interim basis, without first
taking any action to test or evaluate any of the competing Digital Radio technologies.
While critics and supporters
debate whether the un-competitively selected IBOC technology actually improves audio
clarity (as claimed), it is widely acknowledged that radio stations which shift to IBOC
broadcasting will take up at least 50% more bandwidth.
This is functionally the same as reducing room on the radio
spectrum by 33%. Since most
or all of the available radio frequencies are already spoken for in most metropolitan
areas, radio interference from large new IBOC stations will, in many places, bury the
signals of smaller existing stations.
The FCC approved IBOC on October
11, 2002. On October 25, dozens of
parties, with Yours Truly as their attorney, filed a Petition For Reconsideration. As of
Yet most endangered radio
stations have been oddly silent. The
question: Will they
speak out
before they
are driven
off the
air? ---------------------------------------------------- WANT TO BLOCK
IBOC???? expressing
support for the multi-party PETITION FOR
RECONSIDERATION filed on passed, but LETTERS
referencing FCC DOCKET 99-325 may still be accepted.
Federal
Communications Commission
c/o
Marlene H. Dortch, Office of the Secretary
(i)
Go to the FCC Home Page at www.fcc.gov (ii)
At the top of the Home Page, click on E-Filing (iii)
When a new page appears, scroll down to Electronic
Comment
Filing
System (ECFS) (iv)
Click on it (v)
When a new page appears, go to the upper right hand
corner (vi)
Click on Submit A Filing (vii)
When a Filing Form appears, find the box for Proceeding (viii)
Enter: 99-325 (ix)
At the bottom of the Filing Form:
(A) Select the term for what you are filing: Scroll down
the
menu of options and click on Letter (B) Select
the electronic language you want to use:
Scroll down the
menu of options and click on
MS WORD
or Adobe or Whatever (C) Click
on Browse, which will open up your own
computers
document files, and then click on
whichever
document is your Letter (x)
Click on the bar for submitting your filing (xi)
When a new page appears, click on the bar for
completing
the
transaction (xii)
Be sure to copy down the Confirmation Number you
receive:
This
is the proof that your filing was made and accepted
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CONDITIONS FOR USE OF THE
AMENDMENT ONE
COLUMN
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COPYRIGHT 1999
BY DON SCHELLHARDT
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